Ib Kamara, one of the shape-shifting creatives behind the British Vogue look, was perched atop a black cab wearing Loewe’s gown of the season, which is instantly recognisable, white banana silk-satin number speared with a typical yet cartoony pin. Kamara describes his first appearance job for the name as” we wanted to focus on small, form-fitting looks that celebrate the system and build a sense of movement.” We chose hot, musical colors for the spring support, which I hope will honor the city’s enduring capital of imagination and art,” to enjoy” this iconic home of creativity and art.”
The choice of models reflects a bit of a mission statement from British Vogue‘s coming head of editorial articles, who intends to use her platform to intensify the singular points of view of well-known bright flames, such as Jonathan Anderson of Loewe, but also that of the state’s rising stars, from Jawara Alleyne and to Marco Capaldo at 16Arlington. It’s simple to buy twigs that are answering calls in a phone field wearing the blood-red Latex and feathered label, which was inspired by David Lynch’s dark-sighted Lost Highway. When it comes to being tough, London manufacturers are a split above the pack. Or to estimate the saying,” London style usually has a robust point of view, brings new and creative ideas to the table, and pushes the envelope,”
